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Handel

Händel - Lascia Ch'io Pianga, for Flute and Cello

Hyeon Kim

3:36	Est. Play Time
72	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	18	17	3	6	100%
	16	6	2	5	99%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	18	17	3	6	100%
	16	6	2	5	99%
Cello	20	0	2	8	89%
Flute	15	0	3	11	89%

HWV5A3N17 - "Gran Donna, a cui oggi Castilglia deve" (Evaneo)

edward.maurath

0:33	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Evaneo	10	0	1	3	100%
Violoncello (Continuo)	6	0	0	3	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Evaneo	10	0	1	3	100%
Violoncello (Continuo)	6	0	0	3	100%
Cembalo (Continuo)	10	13	2	4	92%
	10	6	1	5	92%

HWV8A1N4 - "Son di Mirtillo!" recitativo secco

edward.maurath

1:47	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B.c.	12	0	4	4	100%
Amarilli	14	0	4	5	68%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B.c.	12	0	4	4	100%
Amarilli	14	0	4	5	68%
Mirtillo	10	0	3	3	50%
Hpsi	14	17	4	2	46%
	9	5	2	4	46%
Harp	14	12	4	1	43%
	12	10	3	2	43%
Theorbo	12	6	5	2	21%
Lute	13	10	4	3	18%

HWV5A1N2 "petto col fulmine del cielo"

edward.maurath

0:06	Est. Play Time
6	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	10	10	2	2	88%
	9	5	1	4	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	10	10	2	2	88%
	9	5	1	4	100%
Violoncello (Continuo)	7	0	1	2	100%
Florinda	7	0	1	5	67%

Handel: La March - D Major

edward.maurath

1:54	Est. Play Time
57	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Lute	13	15	2	3	93%
	17	32	3	5	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Lute	13	15	2	3	93%
	17	32	3	5	100%
Bassoon	12	3	2	5	100%
BSN	15	2	1	5	100%
Kontrebaß	15	0	1	5	100%
Oboe 1	12	0	1	5	100%
Oboe 2	13	2	3	5	100%
Vcl	15	0	1	5	100%
Vla	12	3	2	5	100%
Vln	15	39	3	5	100%
Trumpet at concert pitch	12	1	1	5	75%

"Non disperar, chi sa?" from HWV 17

edward.maurath

0:01	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	24	12	6	6	98%
	23	4	6	5	98%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	24	12	6	6	98%
	23	4	6	5	98%
Harpsichord	24	10	7	6	98%
	23	5	7	5	98%
Continuo	23	0	6	5	98%
Cleopatra	16	0	5	5	72%
Violini	16	0	2	6	62%
Celli	17	0	1	3	56%
Violas	11	0	0	4	33%
Kontrebaß	13	0	0	2	21%

Sinfonia in G Major

edward.maurath

3:04	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	0	1	4	91%
	15	0	1	4	91%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	0	1	4	91%
	15	0	1	4	91%
Fagotto	17	4	1	4	91%
Oboe 1	13	0	1	4	91%
Oboe 2	11	0	1	5	91%
Viole	11	0	0	4	91%
Violini 1	13	0	1	4	91%
Violini 2	16	0	1	4	91%
Violoncello Continuo	15	0	1	4	91%
Contrabassi Continuo	15	0	1	4	83%
Violoncelli Continuo	15	0	1	4	83%
Corni G	11	18	0	5	67%
Corni D	11	15	1	5	35%

"Siet'assai superbe, oh stelle," from act 2 of 'Rodrigo,' HWV 5 (1707)

edward.maurath

1:58	Est. Play Time
52	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	16	10	3	5	100%
	17	0	3	4	77%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	16	10	3	5	100%
	17	0	3	4	77%
	18	6	4	5	94%
Harp (Continuo)	16	10	3	5	100%
	18	6	4	5	94%
	17	0	3	4	77%
Violoncello (Continuo)	18	0	3	5	94%
Contrabass (Continuo)	17	0	3	4	77%
Contrabasses (Continuo)	17	0	3	4	77%
Strings	16	0	3	4	77%
Violoncellos (Continuo)	18	0	3	4	77%
Rodrigo	15	0	5	7	67%

"Alma del gran Pompeo" from HWV 17, "Giulio Cesare," (1724)

edward.maurath

2:20	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	17	4	6	4	100%
	20	4	6	4	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	17	4	6	4	100%
	20	4	6	4	100%
Harpsichord	17	4	6	4	100%
	20	4	6	4	100%
Celli	16	0	5	4	100%
Continuo	16	0	5	4	100%
Contrabasses	15	0	5	4	100%
Violas	14	0	5	4	100%
Vln 1	14	0	5	6	100%
Vln 2	14	0	4	6	100%
Cesare	15	0	6	4	83%

HWV56N39 - Their sound is gone out - (1743)

edward.maurath

1:08	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	20	58	4	4	100%
	16	4	2	4	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	20	58	4	4	100%
	16	4	2	4	100%
Cello Continuo	16	0	2	4	100%
Contrabass	16	0	2	4	100%
Tenor	11	0	2	5	96%

HWV56N10 Behold, darkness shall cover the earth

edward.maurath

2:47	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	24	42	11	4	96%
	16	4	6	4	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	24	42	11	4	96%
	16	4	6	4	100%
Cello	14	0	4	4	100%
Viola	16	0	5	4	100%
Violin I	17	0	5	5	100%
Violoncello Continuo	14	0	4	4	100%
Violone	14	0	4	4	100%
Violin II	18	0	6	4	96%
Bass	14	0	3	8	83%

HWV17A3N09Y1724 Cesare, "Quel torrente che cade dal monte" in C Major

edward.maurath

2:48	Est. Play Time
157	Measures
	1,037Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	2	4	3	99%
	21	4	4	4	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	2	4	3	99%
	21	4	4	4	100%
Violoncello Continuo	21	0	4	4	97%
Cesare	15	0	3	6	71%
Violins	22	0	5	7	69%
Kontrebaß	15	0	1	3	43%
Celli	14	0	0	3	41%

"S'armi a miei danni" from "Giulio Cesare in Egitto," HWV 17, 1725

edward.maurath

9:11	Est. Play Time
109	Measures
	1,118Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	26	50	9	8	74%
	24	6	4	4	99%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	26	50	9	8	74%
	24	6	4	4	99%
Continuo	21	0	3	4	99%
Sesto	16	0	6	7	68%
Violin	19	0	2	8	62%
	17	0	2	6	62%
Celli	18	0	1	4	61%
Kontrebaß	16	0	1	4	61%
Viola	12	0	1	4	49%

HWV56N39Z - Break forth into joy

edward.maurath

2:46	Est. Play Time
111	Measures
	1,569Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	30	151	12	6	97%
	18	3	5	5	88%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	30	151	12	6	97%
	18	3	5	5	88%
Vln 2	25	0	7	6	93%
Vln 1	27	0	10	6	92%
Sop	14	0	5	5	90%
Basso Continuo	17	0	5	5	87%
Celli	17	0	5	5	87%
Contrabass Continuo	17	0	5	5	87%
Alt	11	0	3	5	85%
Bas	15	0	5	5	85%
Vla	16	0	5	5	85%
Ten	13	0	5	5	82%

HWV56N40 - Why do the nations?

edward.maurath

3:33	Est. Play Time
96	Measures
	2,696Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	21	64	8	6	92%
	21	3	6	4	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	21	64	8	6	92%
	21	3	6	4	100%
Contrabass	21	0	6	4	100%
Violoncello Continuo	21	0	6	4	100%
Violin I	27	0	9	4	99%
Viola	23	0	6	4	98%
Violin II	25	0	7	4	97%
Organo	20	63	7	6	92%
Orgono	20	43	7	4	91%
Basso	16	0	5	9	79%